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An Interview with Chimamanda Ngozi Adichie

“I LISTEN TO WHAT MY FATHER WENT THROUGH AND THINK: MY GOD, IF ALL THAT HAPPENED TO ME, I WOULD BE A BITTER, BITTER PERSON. I’D JUST BE ANGRY WITH THE WORLD, AND I WOULDN’T BE ABLE TO WRITE ANYTHING.”

Three categories of contemporary Nigerians’ reactions to their civil war:

People whose families were Biafran, who are still burning with neo-nationalist zeal
Skeptics who feel strongly that we should talk about it
People who say, “Let’s let the past be the past”

header-image

An Interview with Chimamanda Ngozi Adichie

“I LISTEN TO WHAT MY FATHER WENT THROUGH AND THINK: MY GOD, IF ALL THAT HAPPENED TO ME, I WOULD BE A BITTER, BITTER PERSON. I’D JUST BE ANGRY WITH THE WORLD, AND I WOULDN’T BE ABLE TO WRITE ANYTHING.”

Three categories of contemporary Nigerians’ reactions to their civil war:

People whose families were Biafran, who are still burning with neo-nationalist zeal
Skeptics who feel strongly that we should talk about it
People who say, “Let’s let the past be the past”

An Interview with Chimamanda Ngozi Adichie

Joshua Jelly-Shapiro
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“Things began to fall apart at home,” go the first lines of Chimamanda Ngozi Adichie’s acclaimed first novel, Purple Hibiscus, “when my brother, Jaja, did not go to communion and Papa flung his heavy missal across the room and broke the figurines on the étagère.” The reference to Things Fall Apart, Chinua Achebe’s masterpiece about colonialism destroying tradition, marks Adichie’s debt to her Igbo forebear but also signals her differing concerns. The sentence could perhaps be read to distill the larger ambitions of Adichie’s work thus far: to engage the themes that long defined African literature—the legacies of colonialism, the cause of nation-building—but to do so in a way expressive of a new generation’s ironic view of these questions, and in a way attuned to the intimate lives of her characters.

Purple Hibiscus, which won the Commonwealth Writers’ Prize in 2004 for best first book, depicts a teenage narrator and her brother coming to terms with their authoritarian Catholic father as Nigeria begins to fall apart under a military coup. Adichie’s second novel, Half of a Yellow Sun, is set during the Biafra war, the horrific 1967–70 conflict begun when south Nigeria’s Igbo citizens declared independence from their new country’s government in its Muslim north. The novel depicts the war through a story about how it is lived by a small coterie of characters—a pair of middle-class sisters (one pretty, one plain) and their respective mates (a revolutionary mathematician, an English ex-pat); a houseboy and a University master. Last year it was awarded the prestigious Orange Prize for fiction.

Adichie was born in 1977 in Enugu, a small village in Anambra state, in southeast Nigeria. She grew up, though, in the university town of Nsukka, where her parents still work, and where she spent her childhood in a house that was once home to Achebe himself. (Of discovering his work at the age of ten, she has recalled: “I didn’t think it was possible for people like me to be in books.”) She briefly studied medicine (“It’s what educated Nigerians are supposed to do”), but having hoped from a young age to be a writer, she soon quit her course and moved to the United States to finish college. Joining her sister, a doctor living in Connecticut, she completed a B.A. in political science at Eastern Connecticut State University. Since that time Adichie has studied creative writing at Johns Hopkins, spent a year teaching the same at Princeton, and returned to Connecticut two years ago to complete a masters in African studies at Yale. In addition to the two novels, she has written numerous short stories and essays for publications including...

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