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From this Issue

Goodbye, Ironman Tate. Goodbye, Vicious Abundance.
Rachel Kaadzi Ghansah
Missed Calls
Rafia Zakaria
A Review of My Life as a Godard Movie
Joanna Howard
A Review of A Horse at Night
India Ennenga

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From this Issue

Goodbye, Ironman Tate. Goodbye, Vicious Abundance.
Rachel Kaadzi Ghansah
Missed Calls
Rafia Zakaria
A Review of My Life as a Godard Movie
Joanna Howard
A Review of A Horse at Night
India Ennenga

Latest Issues

Winter 2022
March
April 2022
December 2021
January 2022
October
November 2021
Summer 2021
More
Subscribe Now

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Contributor

IS

Ian S. Port

Ian S. Port is the music editor of San Francisco Weekly. His work has also appeared in Rolling Stone and the Village Voice.

All Bylines

Grid View
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Jul 1
Interviews

The Process: Merrill Garbus

Ian S. Port
The music begins with a wild, sad cry. A drumbeat fades in, and over it Merrill Garbus sings—quickly, longingly, just below a shout: “My, this place has really changed its ...
Jul 1
Reviews

Proof of Life

Ian S. Port

The Process: Merrill Garbus

Ian S. Port
Jul 1 2014
The music begins with a wild, sad cry. A drumbeat fades in, and over it Merrill Garbus sings—quickly, longingly, just below a shout: “My, this place has really changed its ...

Proof of Life

Ian S. Port
Jul 1 2013

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