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An Interview with Karen O

[LEAD SINGER OF THE YEAH YEAH YEAHS]
“WE ALWAYS FEEL LIKE THE WEIRD BAND WITH THE WEIRD SONGS WITH A FEMALE LEAD THAT SOMEHOW MADE IT.”
You’ll eventually find out:
Your idols won’t live up to your expectations
Indie labels can be just as shitty as major labels
The band you ignore today will be gone tomorrow
Slow-moving blood does not necessarily predict a Grammy nomination
header-image

An Interview with Karen O

[LEAD SINGER OF THE YEAH YEAH YEAHS]
“WE ALWAYS FEEL LIKE THE WEIRD BAND WITH THE WEIRD SONGS WITH A FEMALE LEAD THAT SOMEHOW MADE IT.”
You’ll eventually find out:
Your idols won’t live up to your expectations
Indie labels can be just as shitty as major labels
The band you ignore today will be gone tomorrow
Slow-moving blood does not necessarily predict a Grammy nomination

An Interview with Karen O

Carrie Brownstein
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I have seen Karen O and her band, the Yeah Yeah Yeahs, perform to sold-out crowds in New York City, Oslo, and Melbourne. And then I have seen her play to a half-full venue in my hometown of Portland, Oregon. No one likes the feeling of being stood up, staring out from the stage and wondering why your other half didn’t bother to show. But instead of making us aware of who wasn’t there, Karen O reminded us of what it feels like to be present. As a performer, she looks for the anomaly; she seeks out the dancer unhinged, the misshapen, the underused, and she pursues them. And that night, we the crowd were the anomaly.

There is the audience and then there are the cracks in the audience; the vulnerable fragments, the individuals that make up the whole. Karen performs for both. She gets into the spaces that are dangerous, bridging them and then splitting them apart again. She is an adhesive and an agitator when most performers are neither. Karen O understands that there are so few moments like these; ones that are spontaneous, alive, and visceral. She asks that the audience join her, and if you’re waiting for a polite invitation, then you’ve missed the point.

I talked to Karen by phone while she was at her home in Los Angeles. The formality of an interview can be awkward for two people who are used to relating to one another in a different, more casual context. It took a while for us to feel comfortable. Soon, however, it grew into a conversation about the vulnerabilities, the frustrations, and the caprices of music, but mostly about holding onto a sense of immense hope.

—Carrie Brownstein

I. “IF I HAVE TO BE THE SLIMIEST, MOST MANIPULATIVE POLITICIAN ABOUT DUPING PEOPLE INTO STAYING IN THE PRESENT AND JUST EXPERIENCING US FOR WHAT WE ARE, THEN I’LL DO IT, MAN.”

CARRIE BROWNSTEIN: How long have you been living in Los Angeles?

KAREN O: I moved out here in early February last year, right before the Grammys.

CB: Did you go to the Grammys? You did. You guys were nominated. Was that surreal for you?

KO: That was definitely surreal. For one thing, there was no talk whatsoever of even the possibility of us getting nominated. It wasn’t like, “It’s really in the bag, guys.” It didn’t occur to us at all. When we found out, I was still living in Closter, New Jersey, and I was having a really weird day. I went to the doctor and had my blood drawn. My blood was coming out really slow for some reason.

CB: They noted it was coming out slow?

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